18-Euro — Part II/18 (after Dürer), 2026
Albrecht Dürer, "Die vier apokalyptischen Reiter" (1498), as reproduced in Max Steck, "Dürer: Eine Bildbiographie" (Kulmbach: Verlag E.C. Baumann KG, 1957, p. 53), photographed by Shaye Weiss (2026) with a 2019 Xiaomi Redmi Note 8 Pro [GIMP 300 DPI raster engine, 50 80g A4 black & white copy shop sheets on 1.5x2.1m 300g drawing paper, paste re-assembly, ballpoint pen, wax crayons].
150 x 213 cm / 59 x 84 inches
"Data, sounds, and images are now routinely transitioning beyond screens into a different state of matter. They surpass the boundaries of data channels and manifest materially... Images become unplugged and unhinged and start crowding off-screen space... In this fluid media space, images and sounds morph across different bodies and carriers, acquiring more and more glitches and bruises along the way." "But by becoming real, most images are substantially altered. They get translated, twisted, bruised, and reconfigured. They change their outlook, entourage, and spin." (Hito Steyerl, "Too Much World: Is the Internet Dead?", e-flux journal, Issue #49, November 2013)